However, the bulk of the book is devoted to a picture album of sculptures supposedly produced by the firm by about one hundred sculptors. The year Bartlett completed this composition of a male figure and two cubs, he also made statuettes of the bear tamer with only the standing cub.4 At some point, the seated bear scratching his ear was also cast as a separate statuette, although the artists papers do not reveal when. While these are subtle distinctions, they can nevertheless be objectified. 9 Alexander Phimister Proctor,br/> Buckaroo (Gorham / Gargani, detail foundry mark), ca. The lifetime cast has a patina of richly modulated green over brown with traces of lighter Frishmuth green. The foundry's mold makers, casters, chasers and finishers, and patinaters cast sculptures from plaster and terra cotta models provided by sculptors. 9 Active from 1910, Griffoul produced small bronzes for Vonnoh and such contemporaries as Bartlett and Abastenia St. Leger Eberle (1878-1942). X., its cast number within the edition. The Gorham cast has four tiny copper leads from the central pipe that continue through the base and out of the frogs mouths. 4); Bessie Potter Vonnohs His First Journey, between a lifetime cast with a documented provenance (Fig. These companies entered into agreements with artists (or with foundries that owned the rights to models) to sell their bronzes, which Tiffany or Starr stamped with their names. . The piece features Roman Bronze Works' foundry mark at its base. Using stencils, create an action-packed cowboy scene. This book does not do it justice. Beautiful Illustrations but not a Complete list of Roman Bronze Works, Reviewed in the United States on January 11, 2011. Find prices for R foundry mark to help when appraising. I am a collector of Bronzes and have one nice bronze by the Roman Bronze Work Foundry dating from 1910. style guide Recasts of this and other models by Frishmuth have been seen with enough frequency that their earmarks are now recognized. 4) is a lost-wax cast at the High Museum of Art in Atlanta, where it has been since 1958, the gift of Bartletts stepdaughter Mrs. Armistead Peter III (nee Caroline Ogden-Jones; 1894-1965). (1879-1977): DOG LYING DOWN Bronze, inscribed 'c.c. 's role in American art. Follow authors to get new release updates, plus improved recommendations. Although there is no date of sale for cast number 47 in the ledger, it is listed between two other bronzes that sold in 1917. Frederic Remington constantly adjusted details from one cast to the next, repositioning limbs and remodeling clothing and animal hides to vary textures. It might seem daunting at the outset, but learning to recognize the distinctions between a good bronze and a spurious one and to discern subtle differences between casts in an edition can be done with confidence. 9). There is a need for serious scholarship on American bronze foundries, but unfortunately this book does not fill the bill. This specific sculpture was probably created using an original bronze cast, not the artist's model, which would make it a fake. Pictures, short biographies, and descriptions of each sculpture were good, but the photos lack any dimensions of each piece or when they were made to put them into perspective of each of the sculptor's life work. I thought it was going to be a better accounting of the foundry's past business dealing. Frederic Remington Art Museum, related to - any. Other Notes: tags: bronze, Native American, 20th century, Western The one documented lifetime example was cast by the Gruet foundry in Paris and was donated to the Rhode Island School of Design in Providence in 1923. This book will only serve to frustrate collectors, dealers, scholars with a serious interest in a field which has only recently received serious attention. The other example is a lost-wax bronze inscribed Cast by Griffoul Newark N J. In addition, the edge of the base bears the ghost of another inscription reading roman bron. This partly obliterated second foundry mark is a strong indication that this is either a surmoulage8 or a cast made posthumously from a plaster. 239 0 obj <>/Encrypt 222 0 R/Filter/FlateDecode/ID[<5367D23A307F3E4E93F3489887A339BD><3CA4A850BE7F24498C7C7CAB15355240>]/Index[221 40]/Info 220 0 R/Length 82/Prev 214863/Root 223 0 R/Size 261/Type/XRef/W[1 2 1]>>stream Remington, Frederic. Get the insider scoop about upcoming events, current exhibitions, and the latest news from the Carter. Historic newspapers digitized from across the Red River. Frishmuth, on the other hand, opted for a more consistent patina, a soft-toned color that became the eponymous Frishmuth green. Category 1910s American Arts and Crafts Antique Bronze Marks. Some content on this site may be difficult to view. Please try again. The Roman Bronze Works of Corona, New York, was the foundry of choice for artists working in the United States and Canada during the first half of the 20th century, it represents a comprehensive survey of all the fine art casting that was being done during the period. 1) with a surmoulage (Fig. In 1895, he began to exhibit his bronzes of cowboys and horses in motion. [3], In 1908, the foundry built a home and studio for sculptor Harry Merwin Shrady at White Plains, New York. Bequest of Jacob Ruppert, 1939, Accession Number: Frederic Remington (American, Canton, New York 18611909 Ridgefield, Connecticut), Date: On the latter it is bent backward at the wrist with the thumb and fingers tensed, a gesture meant to exhibit surprise, rather than the flatter, more upright position on the fake. A comparison of the right rear feet illustrates both exaggeration and softness in the paws and claws in the lost-wax cast (see Fig. It is possible to conduct research into the history of American sculpture only through an archive of this magnitude. ]/Pour/Col Crasto/Fonb [sic]/Antoine, which indicates it was made for a Colonel Crasto and that its casting was overseen by the artists widow, Suzanne.7 Antoine was presumably an artisan who worked in the foundry. Further refinements are achieved by chasing, when the metal, which is relatively soft, is hammered and smoothed of imperfections and details are enhanced. Foundry Mark: On side of base: ROMAN BRONZE WORKS N- Y-Collection Name. Read more Lucy D. Rosenfeld is the author of over 20 books on art and architecture and the relationship of the historic arts and with the contemporary world. At first glance the spurious cast might appear to have greater detail because of its strongly ridged texture (see Fig. There was a problem loading your book clubs. 1996-2023, Amazon.com, Inc. or its affiliates. https://www.metmuseum.org/art/collection/search/11869, The Met Collection API is where all makers, creators, researchers, and dreamers can now connect to the most up-to-date data and images for more than 470,000 artworks in The Met collection. Roman Bronze Works, now operated as Roman Bronze Studios, is a bronze foundry in New York City. Also, new patinas are sometimes applied to outdoor sculpture that has been defaced by weathering or to small sculptures that have been stripped down to the raw metal by overcleaning. Roman Bronze Works, now operated as Roman Bronze Studios, is a bronze foundry in New York City. Our site is in beta. Programs: 918-596-2768 Help us keep improving! 12 Of the edition of ninety-nine lifetime bronzes, ninety-three were cast by Gorham and six by the Roman Bronze Works. Tulsa, OK 74104, Main: 918-596-2700 The Rattlesnake depicts a horse twisted in a reaction of fright to a rattlesnake as the rider grabs the horses mane with his left hand and holds his hat on with his right. Iowa State University, Farm House Museum, Parlor, University Museums, Iowa State University eMuseum. Roman Bronze Works, now operated as Roman Bronze Studios, is a bronze foundry in New York City. Paul Wayland Bartlett individualized his bronzes by using a wide variety of finishes and colors. Frishmuth and Paul Manship (1885-1966) were stringently consistent about the appearance of their signatures. The artists deft manipulation and tooling in the original clay model created impressionistic wisps of hair that are beautifully reproduced in the Roman Bronze Works cast (see Fig. 5c); but on the Griffoul-marked example the date is omitted (Fig. Augustus Saint-Gaudens (1848-1907) varied compositional details slightly, even in his larger-edition, commercial, bronzes. Shenanigans at the Roman Bronze Works may have resulted in this unauthorized and poor quality cast. Bronze; height 9 38, width 9, depth 10 inches. Registering provides you with personalized services, including: wish list, order status and promotions. The Metropolitan's bronze is almost certainly a posthumous, unauthorized cast done by Roman Bronze Works. It is the fullest surviving record of any historic American fine arts foundry. If a plaster has been overused, softer elements can be reinforced or enhanced by working the wax cast made from the plaster, but unless the artisan is able to refer to a fresh duplicate plaster or a crisply defined bronze cast, it is impossible to reproduce the artists original intent exactly. To study the ledgers and archival photographs of Roman Bronze Works is to see the unfolding of American sculpture through the 20th century, for here are examples from the many schools and "isms" that locked the nation's art world in titanic battles between realism and modernism and the many significant styles in between. We dont share your credit card details with third-party sellers, and we dont sell your information to others. From 1898, Frederic Remington worked exclusively with Roman Bronze Works, as did Charles M. Russell. As a result, the modeling in some of the worn areas appears more pronounced because the contrasting lights and darks create a greater sense of depth. Finally, in the lost-wax bronze there is the suggestion of a smile, which is the result of cutting into the wax. The Roman Bronze Works of Corona, New York, was the foundry of choice for artists working in the United States and Canada during the first half of the 20th century, it represents a comprehensive survey of all the fine art casting that was being done during the period. Usually these are the only marks aside from a signature, but occasionally foundries placed their marks on these bronzes as well. Thus measurements can never be the sole means for determining the legitimacy of a cast. in The Portal to Texas History. Often the sculptors founder of choice-even the same foundry artisans-were employed. 221 0 obj <> endobj The Gorham cast has small semicircular stemlike protrusions that alternate with the frogs (see Fig. All rights reserved. %PDF-1.6 % In the instance of multiple casts of a model, called an edition, unless a particular cast is numbered or uniquely marked, it is difficult to distinguish one cast from its very similar siblings. The two casts illustrated vary widely in quality, and it becomes rapidly apparent that the one in Figure 6 was made in the recent past and is fraudulent. Updates and additions based on research and imaging activities are ongoing. Left: Bear Cub Grooming, by Paul Wayland Bartlett (1865-1925), modeled 1887; this cast c. 1900. The most interesting contrasts between these two bronzes are found in the details. This information is published from the Carter's collection database. The rule of thumb is that shrinkage in a surmoulage is about three-sixteenths of an inch (.476 centimeters) per foot in every dimension. large collection of U.S. government documents. Still, a good addition to my Art and Art history library. In general, the lighter the cast, the better the cast, for a thin-walled bronze indicates that the wax was applied to the inside of the negative mold with expertise and finesse. 1876-1917). Category 20th Century American Art Deco Sculptures. His nephew, Philip J. Schiavo, the grandson of the first Schiavo, was the president of the foundry until its closing. The foundry mark is on the base. Artwork Details Overview Signatures, Inscriptions, and Markings Provenance API Access Title: End of the Trail Artist: James Earle Fraser (American, Winona, Minnesota 1876-1953 Westport, Connecticut) Date: 1918, cast 1918 Culture: American Medium: Bronze Dimensions: 33 x 26 x 8 3/4 in. The majority of reproductions do not have foundry marks. How do artists portray action and adventure? The archives is the most comprehensive surviving record of any historic American foundry of its kind. All of Remington's originals were produced by only two firms: Roman Bronze Works and Henry-Bonnard Bronze Co. Any other name is automatically a forgery. 2) offers the readily visible distinctions between them. 3 See, for instance, Janis Conner, Cast Comparisons, in Conner et al., Captured Motion: The Sculpture of Harriet Whitney Frishmuth (forthcoming, Hohmann Holdings, New York, November 2006); or David B. Dearinger and Thayer Tolles, Side by Side: American Sculpture, American Art Review, vol. Foundry marks are nearly always inscribed with elegant simplicity and are as difficult to fake as signatures. 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